This is a monochrome photograph of sculpted outdoor street lamps.
I took this picture in Paris, near La Defense, circa May 1992. It was a dull day to say the least, though one can just about make out a modicum of sunlight above the clouds which has nearly brightened the picture in the sky area.
The idea was to get close enough to be shooting upward against the sky in order to isolate the lights from their cluttered background. Using the effect of converging vertical lines to bring the five poles, which were standing apart from one another, together and emphasise the screw thread effect. The exposure was as long as I could risk hand holding to keep some detail in what I knew would most likely be a semi-silhouette.
The film is Ilford HP5. I would have rated the film at 400ASA and developed the film in Ilford ID11, stock diluted 1+3. This photograph was taken on a very cloudy and dull day.
This is a monochrome photograph of an abandoned Citroën 'H' Van and Citroën '2CV'.
I took this picture in Brittany, circa May 1992. The Van was a drab, silver-gray colour and the 2CV was white. This somewhere near Quimper. There was, pretty much, nothing else besides more empty fields around this area.
The empty, quiet, loneliness, except for these two dumped vehicles, seemed at that time to fit my frame of mind. I had lost my Father the previous October and my maternal Grandmother on Christmas eve night; both to cancer.
Though I'm never sad looking at this picture. Moreover, I had and still have a sense of acceptance and of moving on. No, I never feel down at seeing this photograph.
The film is Kodak 5063 TX or as I knew and loved it Tri-X. I would have rated the film at 1600ASA/ISO using a red cokin 'A' filter and developed the film in Kodak HC110 solution B, 1+39. I was, just a little, into that infrared-ish look back then.#photography#monochrome#film#Quimper#Brittany#Citroën